MIKA'S page
I have been given the opportunity to share my experience of getting back in touch with my roots ( through Ikkuan) since leaving Japan at the age of seven. I've stayed in Singapore for about 17 years ( due to my parents' business) ,and although I came back to Japan often, it was always for a short time, Therefore I didn't have the time to discover the traditional ways of Japanese culture or the real beauty of the olden days until now. My parents own several Japanese Sushi Kaiseki ( kaiseki is a full course meal ) restaurants in Singapore which has been going on for about thirty years, so season by season we also change the types of food, flowers and plates accordingly. It's hard for the locals there to understand the culture and the whys and hows of maintaining different types of foods and plates. We import everything from Japan including containers such as soup bowls, plates, lunch boxes, trays, green/brown teas and of course food. It is delivered by plane (cargo) twice a week, so it is very important for us to let every customer realize that the season has changed, especially in Singapore where it is summer throughout the whole year. We let them realize and appreciate the change of season through food and even flower arrangements.Ever since I was thirteen years old, I've been helping my parents restaurant during my school holidays, even by wearing Kimono. During Japanese new year, which is on the first of January, our policy is to break the Taruzake ( it's made out of bamboo, filled with sake ) top at seven in the morning and serve every customer for free. When they prepare dishes for the new year, the top chef's and my dad standbys from the day before.Our restaurant has no off days, except for during chinese new year, which is only three to four days. My dad is a total workaholic so he goes to work everyday and steps into the sushi counter to entertain customers and at the same time he makes sushi and goes in to the kitchen side to taste and teach the cooks. Working with my parents has kept me in touch with some aspects of the Japanese culture on the surface but it has only increased my curiosity to deepen my understanding about the culture.
I am lucky in the sense that I am able to have this chance to experience what Ikkuan has been doing for the past 30 years. The history that they treasure involves an attempt to send out a message of heartfelt appreciation of Japanese culture to every single person in the world. They are looking towards an international audience to introduce and teach Japanese cultural activities, specializing in tea ceremony. My sensei likes the olden types of culture, which therefore she treasures the olden days.
Ever since I came to Ikkuan, I realize that the beauty of the old culture was still existing and my Saito Soko sensei ( teacher ) kept holding on to the traditional atmosphere which we can also relate to the word wabisabi feeling, which means simplicity, for example: having a mannered green tea in a dime light and the sound of the falling water, But that's just one part of her ways to let the students and customers feel this culture through sensei's one heart and we hope it is cherished and understood by anyone who steps into this house.
Saito Soko sensei has been doing Tea ceremony plus teaching students from every different age groups, cooking lessons and prayer to food of God (it's just like thanks giving) and to the Saito's family safety where students learn how to release their stress or to relax in this busy country of Japan.
It is very important to let people who has lost that feeling and touch of the olden days, even towards Japaneses, especially the youngsters and even olders. Most of the youngsters in Japan doesn't know who and where it's history came from, they only know that traditional green is suppose to be drank in this manner or it's too bitter so they dare not try and get them self involved in this kind of circle. In the olden days, during tea ceremony it was very spirit of politeness exacts that you say what you are expected to say, and say no more, where my teacher's tea lessons are pretty similer but she makes it fun for the students to be more involved in the world of tea.
She mainly teaches tea to a bunch of students on every sundays, but she also handles students who wants to learn all sorts of Japanese tradition food with the help of her husband and son. When there is Asacha, she comes up with different kinds of dishes and we all move according to her menu and the matching of plates, trays, bowls and etc..., so for us to stundby, we have to wake up about two hours before the reservation, where everyday she comes up with her own menu and we all move according to her recipies.
As I discovered in this Ikkuans' tea teaching time, every space of tatami space and lines are very important. Every space has a meaning which is considered as one room, where the tea bowl has to be placed and the manner of japanese tibits, even though they don't have a sliding door which is made out of thick paper and divition by wood and each space has square lines where it's important to place water, where to sit, where to place the made tea and if the master says on the fifth lines, then you have got to place everyones confectionery.
Ikkuan is a very extra ordinary, they have lots of originality and creative ideas and design. I beleive that she might be the only one that mix matches her tea powder bowl lid
As I discovered in this Ikkuans' tea teaching time, every space of tatami space and lines are very important. Every space has a meaning which is considered as one room, where the tea bowl has to be placed and the manner of japanese tibits, even though they don't have a sliding door which is made out of thick paper and divition by wood and each space has square lines where it's important to place water, where to sit, where to place the made tea and if the master says on the fifth lines, then you have got to place everyones confectionery.
Ikkuan has a lot originality

My teacher is trying to let youngsters know the old culture, she is strick but yet has the heart of understanding and youngness towards everyone, and in her own way she adjust to the new generation. As I've been living with her, her energy, strength and cheerfulness never changes. For this coming 21st century, she says ' it's give and give - not give and take ', I totally agree with her, and with her energy, my life adds to another perspective way. I admire her courage and guts to introduce what she has been doing for the past thirty years to the world.

@@’ƒ@@@@Tea began as a form of medicine where concentrated tea balls were created to be scraped and eaten. From there it evolved into a powder form which could then be diluted with hot water. This liqued they discovered could be drunk, thus it grew into a beverage in China, in the eighth century. It then entered the realm of aesthetics as one of the polite amusements. The fifteenth century saw Japan raising its status to a religion of aestheticism - which means teaism. Teaism is a cult founded on the adoration of beauty among the sordid facts of everyday existence. It incorporates purity and harmony, the mystery of mutual charity, and the romanticism of the social order. It emphasizes hygiene, for it promotes cleanliness; and economics, for it shows comfort in simplicity rather than in the complex and costly.
The long isolation of Japan from the rest of the world, so conductive to introspection, has been highly favorable to the development of teaism. The home and habits, costume and cuisine, porcelain, lacquer, painting- their very literature- all have been subject to it's influence - all have been subject to it's influence. No student of Japanese culture could ever ignore it's presence. After the year 879 the main sources of revenue in China ( in Canton ) were the duties on salt and Tea. Marco Polo records the deposition of a chinese minister of finance in 1285 for his arbitrary augmentation of the tea tayes. It was during that time when European people discoved the greats and began to know more about the extreme orient. Japanese Green tea started from about five hundred years ago from mainly China. And now they have dark tea and light tea, depending on the tea ceremony foods.

Today's tea ceremony is often thought of as something young girls learn to prepare for marriage or an opportunity for polite socializing, and these days even guys started to have interest in manner wise and tea ceremony. The tea ceremony is a condensed, estheticized version of ordinary life. It flourished in a period of frequent internal warfare, emerging when warriors who spent all their time fighting had lost the opportunity for a happy and peaceful home life.
There is a phrase that my teacher often uses, which is ichigoichie ( the only encounter in a lifetime ) is hakedneyed today, but it had poignant meaning for the warriors of former times. Even today, no one knows whether they will be alive tomorrow or not. In our peaceful times, we are fairly sure that tomorrow will come, and we feel no need to fight for our future. One can fight in a meaningful way, but however, cutting away one's own pride, vanity, and self-satisfaction and other useless emotions. By placing importance on the now which never returns it is possible to have ideal relationships with other people. This is what I see as the true purpose of the tea ceremony - from the heart you pay your respect and appriciate.

Tea is a work of art and needs a master hand to bring out its noblest qualities. we have good tea and bad tea, as we have good and bad paintings - generally the latter. There is no single recipe for making a perfect tea, as there are no rules for producing a titian or a session. Each preparation of the leaves has its individuality, its special affinity with water and heat. Tea has uts periods and its schools just like art. its evolution may be roughly divided into three main stages : the boiled tea, the whipped tea and the stepped tea. These several methods of appreciating the beverage are indicative of the spirit of the age in which they prevailed. School of tea might be around the world today, but to be tought from the right master is extremly important.
They have this game called " Kagetsu " and only four people can play which they all have to pick one " fuda " which is made out of wood and each wood has different kinds of desine's and words on it where they speak out their own pictures and letters. That's how they all take turns to be the tea maker or the drinker.

Wakeiseijaku:

Chado - literally means the way of tea or Chanoyu, widely known as the "Tea Ceremony" and has been recognized as a way of life, cultural achievement - which holds an aura of mystery for many people, but its governing impulse is simple: a small number of friends come together to spend several hours in a part taking of a meal,drinking tea and enjoying a brief respite from the busyness of daily concerns. Guests enter the quiet,intimate space of the tea room, which is faded (or you can say shaded) from any glaring light.A few flowers are arranged in a simple manner in a vase due to seasons. The philosophy of Chad :
1. Harmony ( Wa ) - This is the harmony between two people, of people with nature, and the harmony of the tea utensils and the manner in which they are used. In Chado, a host chooses utensils, flowers and scroll to match the season, and depending on the time of the year, uses either a portable brazier or a sunken heart.
2. Respect (Kei ) - Respect is paid to all things and comes from sincere feelings of gratitude for their being. The hospilitality of the host, concerns of the guests for each other and the host, and the careful handling of the utensils exemplify this respect.
3. Purity ( Sei ) - It implies both worldly and spiritual cleanliness. When the host cleans his utensils he is simultaneously purifying his heart and the mind through his total concentration on his task.
4. Tranquility ( Jaku ) - It is the peace of mind which comes with the realization of the first three principles : wa, kei and sei.
From 1874 Chanoyu itself had been confronted with one of its most endangering tests - the Meiji government's decided to classify it as a "Performing Art ", Tea ceremony ( asaja ) is just like art itself - combination of colors of plate and bowls. Living art ( including India,China ) was one of asia, that the diverse cultures of asia were unified at their roots. At that time Japan served as a treasure of art, a " Museum of Asiatic Civilization " with treasures from the range of history. So Chanoyu might be seen as the living synthesis of traditional arts, as a symbol for explaining the Asian concept of art, may have been following in the footsteps of the great tea masters of the past.

i.Asacha / Asachaji ( morning tea ceremony with a grade up breakfast ) where students or customers come and enjoy the delicated food with thick tea and at the end of dessert where thin tea is served individually - this is mostly done during Summer because in that season around noon it is hot temperature so therefore we start around six or seven O'clock in the morning so that the temperature is still cool and we don't feel the hotness..
In between autum and winter, the way they presents her cooking style changes, where she uses traditional pot(kama) in a surtern space in the tatami room, this is named lobiraki, which means rice is made in a certian way, below the tatami.
This is the traditional ways of presenting tea ceremony with kaiseki during this time of the months.

CAFEORE

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Funsui is something like a 'natural nature', where
another part of senseis' strong point in her cooking pattern as well as




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